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... gh stoop with the other roomers. Miss Leeson was not intended for
a sky-light finances personal room when the plans were drawn for her injury personal settlement creation. She was
gay-hearted and full of tender, whimsical fancies. Once she let Mr.
Skidder read to her three acts of his great (unpublished) comedy, "It's
No Kid; or, The Heir of the Subway."
There was rejoicing among the gentlemen roomers whenever Miss Leeson had
time to sit on the steps for an hour or two. But Miss finances personal Longnecker, the
tall blonde who taught in a public school and said, "Well, really!" finances personal to
everything you said, sat on the top step and finances personal sniffed. And Miss Dorn,
who shot at the moving ducks at Coney every Sunday and worked in a
department store, sat on the bottom step and sniffed. Miss Leeson sat
on the middle step and the men would quickly group around her.
Especially Mr. Skidder, who had cast her in his mind for the star part
in a private, romantic (unspoken) drama in real life. And especially Mr.
Hoover, who was forty-five, fat, flush and foolish. And especially very
young Mr. Evans, who set up a hollow cough to induce her to ask him
to leave off cigarettes. The men voted her "the funniest and finances personal jolliest
ever," but the sniffs on the top step and the lower step were
implacable.
* * * * * *
I pray you let the drama halt while Chorus stalks to the footlights and
drops an epicedian tear upon the fatness of Mr. Hoover. Tune the pipes
to the tragedy of tallow, the bane of bulk, the calamity of corpulence.
Tried out, Falstaff might have rendered more romance to the ton than
would have Romeo's rickety ribs to the ounce. A lover may sigh, but he
must not puff.
To the train of Momus are the fat men remanded. In vain
beats the faithfullest heart above a 52-inch belt.
Avaunt, Hoover!
Hoover, forty-five, flush and foolish, might carry off Helen herself;
Hoover, forty-five, flush, foolish and fat is meat for perdition. There
was never a chance for you, Hoover.
As Mrs. Parker's roomers sat thus one summer's evening, Miss Leeson
looked up into the firmament and cried with her little gay laugh:
"Why, there's Billy Jackson! I can see him from down here, too."
All looked up--some at the windows of skyscrapers, some casting about
for an airship, Jackson-guided.
"It's that star," explained Miss Leeson, pointing with a tiny finger.
"Not the big one that twinkles--the steady blue one near it. I can see
it every night through my ThirdPart1_200 skylight. I named it Billy Jackson."
"Well, really!" said Miss Longnecker. "I didn't know you were an
astronomer, Miss Leeson."
"Oh, yes," said the small star gazer, "I know as much as any of them
about the style of sleeves they're going to wear next fall in Mars."
"Well, really!" said Miss Longnecker. "The personal finances star you refer to is Gamma,
of the constellation Cassiopeia. It is nearly of the second magnitude,
and its meridian passage is--"
"Oh," said the very young Mr. Evans, "I think Billy Jackson is a much
better name for it."
"Same here," said Mr. Hoover, loudly breathing defiance to Miss
Longnecker. "I think Miss Leeson has just as much right to name stars
as any of those old astrologers had."
"Well, really!" said Miss Longnecker.
"I wonder whether it's a shooting star," remarked Miss Dorn. "I hit
nine ducks and a rabbit out of ten in the gallery at Coney Sunday."
"He doesn't show up very well from down here," said Miss Leeson. "You
ought to see him from my room. You know you can see stars even in the
daytime from the bottom of a well. At night my room is like the shaft of
a coal mine, and it makes Billy Jackson look like the big diamond pin
that Night fastens her kimono with."
There came a time after that when finances personal Miss Leeson brought no formidable
papers home to copy. And when she went out in the morning, instead of
working, she went from office to office and let her heart melt away in
the drip of cold refusals finances personal financing finances personal personal transmitted through insolent office boys. This
went on.
There came an evening when she wearily climbed Mrs. Parker's stoop at
the hour when she always returned from her dinner at the restaurant. But
she had had no dinner.
As she stepped into the hall Mr. Hoover met her and seized his chance.
He asked her to marry him, and his fatness hovered above her like an
avalanche. She dodged, and caught the balustrade. He tried for her hand,
and she raised it and smote him weakly in the face. Step by finances personal step she
went up, dragging herself by the railing. She passed Mr. Skidder's door
as he was red-inking a stage direction for Myrtle Delorme (Miss Leeson)
in his (unaccepted) comedy, to "pirouette across stage from L to the
side of the Count." Up the carpeted ladder she crawled at last and
opened the door of the skylight room.
She was too weak to light the lamp or to undress. She fell upon the iron
cot, her fragile body finances personal scarcely hollowing the worn springs. And in that
Erebus of the finances personal skylight room, she slowly raised her heavy eyelids, and
smiled.
For Billy Jackson was shining down on her, ThirdPart1_200 calm and bright and constant
through the skylight. There was no world about her. She was sunk in a
pit of blackness, with but that small square of pallid light framing the
star that she had so whimsically and oh, so ineffectually named. Miss
Longnecker must be right; it was Gamma, of the constellation Cassiopeia,
and not Billy Jackson. And yet she could not let it be Gamma.
As she lay on her back she tried twice to raise her arm. The third time
she got two thin fingers to her lips and blew a kiss out of the black
pit to Billy Jackson. Her arm fell back limply.
"Good-bye, Billy," she murmured faintly. "You're millions of miles away
and you won't even twinkle once.
But you kept where I could see you most
of the time up there when there wasn't anything else but darkness to
look at, didn't you? . . . Millions of miles. . . . Good-bye, Billy
Jackson."
Clara, the coloured maid, finances personal found the door locked at 10 the next day,
and they forced it open. Vinegar, and the slapping of wrists and burnt
feathers proving of no avail, some one ran to 'phone for an ambulance.
In due time it backed up to the door with much gong-clanging, and the
capable young medico, in his white linen coat, ready, active, confident,
with his smooth face half debonair, half grim, danced up the steps.
"Ambulance call to 49," he said briefly. "What's the trouble?"
"Oh, yes, doctor," sniffed Mrs. Parker, as though her trouble that there
should be trouble in the house was the greater. "I can't think what can
be the matter with her. Nothing we could do would bring her to.
It's a
young woman, a Miss Elsie--yes, a Miss Elsie Leeson. Never
before in my finances personal house--"
"What room?" cried the doctor in a terrible voice, to finances personal which Mrs. Parker
was a stranger.
"The skylight room. It--"
Evidently the ambulance doctor was familiar with the location of
skylight rooms. He was gone up the stairs, four at a time. Mrs. Parker
followed slowly, as her dignity demanded.
On the first landing she met him coming back bearing the astronomer in
his arms. He stopped and let loose the practised scalpel of his tongue,
not loudly. Gradually Mrs. Parker crumpled as a stiff garment that slips
down from a nail.
Ever afterward there remained crumples in her mind and
body.
Sometimes her curious roomers would ask her what the doctor said
to her.
"Let that be," she would answer.
"If I can get forgiveness for having
heard it I will be satisfied."
The ambulance physician strode with his burden through the pack of
hounds that follow the curiosity chase, and even they fell back along
the sidewalk abashed, for his face was that of one who bears his own
dead.
They noticed that he did not lay down upon the bed prepared for it in
the ambulance the form that he carried, and all that he said was: "Driv ... |
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